Proof Review

It seems that some people have taken issue with what they perceive to be the negative reviews present in this here publication. There is a lack of balance, they claim, which is caused by these bitter, hate-filled individuals who are clearly in the group who can’t and therefore teach. And so in order to pander to the sentiments of those who blanche at the very idea of an individual having an opinion about a piece of theatre (or at least any opinion that isn’t the same as their saccharine version of events) this review of Proof will be divided into two halves consisting of things that were good about the production and things that were not so good. If you liked Proof then read the first half. If you didn’t, read the second half. Or if you’re feeling really brave, read the whole thing at once.

Good things about Proof:

1. The acting was really really good!
2. The set was wicked!
3. Ohmigosh, there were twists in the plot and everything!
4. It was both funny and touching. What a combo!
5. There was an interesting theme to do with trust and believing in the words of others throughout, which, like, totally tied in with the title of the play. Where do these geniuses get their ideas?!?!?!?

Bad things about Proof:

1. A script that was more film than theatre. Pointless!
2. A live piano soundtrack that told the audience when and where to feel emotional. It worked but in a way that was manipulative rather than moving. Who do these bastards think they are, telling me how to feel, eh?!
3. Blackouts that went on FOREVER. Some of us have got places to be, yeah?!
4. The lack of clear meaning at the end. My not completely getting it = bad, geddit?
5. The actor who was meant to be 28 years old looked about 10 years younger than all the other actors. Where’s your naturalism now, huh?!

There. A balanced review. Are you happy now? If you wish to further discuss the views expressed here with me in person then I’m the tall lanky one with Richard Dawson inexplicably written on his ID card. However, I’ll probably just quote the infamous words of a certain editor which apply to the majority of people at NSDF, including myself: “Are you being paid for your opinions? No? Then fuck off.”